Buffy Sainte-Marie: Carry It On
Experience the story of the Oscar-winning Indigenous artist from her rise to prominence in New York’s Greenwich Village folk music scene through her six-decade groundbreaking career as a singer-songwriter, social activist, educator and artist.
ABOUT THE FILM
Buffy Sainte-Marie: Carry It On chronicles Sainte-Marie’s rise in New York’s Greenwich Village folk music scene through her groundbreaking career, featuring never-before-seen archival material, new performance footage and interviews with Sainte-Marie, Joni Mitchell (singer, songwriter, artist), Sonia Manzano (Maria on Sesame Street), John Kay (lead singer-songwriter of Steppenwolf, solo artist), Robbie Robertson (musician), Jackson Browne (musician), George Stroumboulopoulos (music journalist), Andrea Warner (author) and more.
Over a career spanning six decades, Cree musician, artist, and activist Buffy Sainte-Marie has used her platform to campaign for Indigenous and women’s rights and inspired multiple generations of musicians, artists, and activists.
Sainte-Marie’s career took flight when she received a rave review in The New York Times and caught the eye of Vanguard Records, who released her debut album, It’s My Way. Consistently recognized for being ahead of her time, Sainte-Marie’s music revealed her most sincere opinions differentiating her from the other female pop musicians of the 1960s. Early in her career, she spoke out against the Vietnam War with her song “Universal Soldier,” against readily available opioids with “Cod’ine” and shared her views on romance with “Until It’s Time for You to Go,” which has been covered by artists such as Elvis, Barbra Streisand, Cher and Neil Diamond.
Sainte-Marie changed perceptions of Indigenous people in music, film, and television. When approached to play a lead role in a 1968 episode of The Virginian, she famously demanded that all Indigenous roles be played by Indigenous peoples. Additionally, across her five-year stint on Sesame Street, she was the first woman to nurse on television, and she helped create segments based on her experiences as an Indigenous woman in North America.
After winning the Academy Award for writing “Up Where We Belong” from An Officer and a Gentleman with her then-husband, Jack Nitzsche, Saint-Marie stepped out of the spotlight. She returned to music after a fourteen-year hiatus with her critically acclaimed album Coincidence and Likely Stories. In 2015, she beat out Drake for the Polaris Music Prize for her album Power in the Blood.
At the age of 81, Sainte-Marie actively tours and continues to be an activist for Indigenous rights, including championing efforts to end the oppression of and violence against Indigenous women.
Buffy Sainte-Marie: Carry It On
ABOUT THE DIRECTOR
Daniel Pellerin, Re-recording Mixer
Elma Bello, Dialogue Editor
Michelle Irving, Sound Designer
Camera and Electrical Department
Damian Frazee, Camera Assistant
Sue Johnson, Additional Camera
Dana Plays, Additional Camera
Daniel Williams, Additional Camera
Joseph Conrad, Assistant Editor
Shayne Hontiveros, Assistant Editor
Adrian Pop, Assistant Editor
Amos Nadlersmith, Assistant Location Manager
Tina Apostolopoulos, Sr. Production Executive
Jennifer Dysart, Visual Researcher
Christopher Fernandes, Production Assistant
Bailey Johnson, Researcher
Jessica Joy Wise, Archive Producer